Austin Miles Richard Rodney Bennett Robert Hebble (Arranger) Title: Down At The Cross (Glory To His Name)Īrtist: Bob Dylan Elvis Presley Paul Cardall Richard Rodney Bennett
#JESUS PAID IT ALL CHORDS UKULELE MAC#
Newton John Newton Katherine Jenkins Naus (arr.) Nick Patrick Paul Chauvin (arr.) Phil Coulter (arr.) Steve Mac Steve Vai (arr.) Traditional Traditional American Melody Victor Wooten (arr.) Writer: Alan Jackson (arr.) David Arch Elvis Presley (arr.) Eugenie Rocherolle (arr.) Frederic Chopin Harry Strack (arr.) Iain Farrington J. Lyricist: David Arch Elvis Presley (arr.) Iain Farrington John Newton Katherine Jenkins Nick Patrick Phil Coulter (arr.) Steve Mac Traditional GrapeĪrtist: Alan Jackson Celtic Thunder Charlotte Church Elvis Presley Judy Collins Katherine Jenkins Paul Cardall Steve Vai Susan Boyle Lyricist: Matt Redman Phillip Keveren (arr.) Robert Lowry Lehman James Bryson Mike Scheuchzer Nathan Cochran Pete Kipley Robin Shaffer V.B. Writer: Barry Graul Bart Millard Brad Russell Dan Muckala Frederick M. Lyricist: Barry Graul Bart Millard Brad Russell Dan Muckala Frederick M. Cash (arr.) Roger Emerson Southern American Folk Hymn T Bone Burnett (arr.) Traditional Writer: Anthony Minghella (arr.) Eva Cassidy Greg Gilpin (arr.) John Carter Cash (arr.) John Jacob Niles John Jacobson John R. Lyricist: Anthony Minghella (arr.) De-Lisser Eva Cassidy John Jacob Niles John Jacobson Roger Emerson Southern American Folk Hymn T Bone Burnett (arr.) Traditional In the Garden Amazing Grace Back Cover Front CoverĪrtist: Eva Cassidy Jack White Johnny Cash “Lenten Reflections” blends “Jesus Paid It All” with “Alas, and Did My Savior Bleed” in a thoughtfully paced handbell arrangement.Gospel Hymns for Ukulele by : Various AuthorsĢ3 favorites arranged for uke including: Amazing Grace A quiet setting for piano can be found in “Hymns We Love.” This hymn can also be combined in a medley with similar hymns.
A straightforward handbell arrangement of “Jesus Paid It All” is suitable for a time of meditation. It could be used as a short piano interlude as Communion is served, such as is found in “Hymn Miniatures for Communion.” For a time of meditation on the meaning of the sacrament, a quiet instrumental setting is appropriate. This hymn is associated with Lent and Holy Week, and is also suitable for Communion. Some hymnals indicate a fermata on the word “stain” in the refrain. This hymn should be sung quietly, in unison or harmony. The cabinet organ of the church had been moved to Grape's home during that period, and he took advantage of the access to the instrument to write this tune. It was written in 1868, while the church was undergoing renovation.
Grape, is the composer of the tune ALL TO CHRIST, which is the only tune to which this hymn is sung. The theme of the text is the completeness of Jesus' work on the cross, and the fact that humans have done nothing to merit such mercy, which means that we are forever in debt to Christ. It is not known who is responsible for the modern version. The original text had five stanzas, but the standard text in modern hymnals contains four, some of which are substantially altered from the original. It was first published in 1868 in Sabbath Carols. Hall wrote this hymn on the flyleaf of a hymnal, New Lute of Zion, during a Sunday morning service at a Methodist church in Baltimore.
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